Mongolian Art

Pan Ying

Text in German
Pan Ying was born in 05. 08. 1962 in Beijing. Her parents are very famous artists in China and it was obvious that even Pan Ying those embarking on a professional life. Pan Ying's father is the famous painter Pan Shixun, who specialized in oil painting and her mother, Jiang Caiping, based on Chinese traditional painting using ink and watercolor specialist. Pan Ying comb this morning with both Western and traditional Chinese painting in touch and turned increasingly to the traditional Chinese painting techniques to use in modern and contemporary themes. Pan Ying is famous for its "woven tapes" that resonates with a fine and fascinating power of expression.
1983 Pan Ying completed her studies at the Chinese painting specialty of the Art Institute of PLA off. Since 1987, She teaches at the Central University for Nationalities in the Fine Art Department.


Solo Exhibitions

1987 Central Academy of Fine Arts Gallery, Beijing
1988 The Exhibition Hall of the Mexican embassy, Beijing
1996 Hans Gallery, Beijing
1997 Chinese Contemporary,London
1998 Chinese Contemporary,London
2001 Qingluo Gallery, Tokyo
2002 Central University of Nationalities Gallery, Beijing

Group Exhibition

1985 80s Painting Exhibition, National Gallery,Beijing,awarded Outstanding Prize. 1986 First Exhibition of Ethnic Minorities Fraternity,Culture Palace, Beijing, awarded Qutstanding Prize. 1987 First Exhibition of Contemporary Gongbi Style, China National Gallery, - Beijing,awarded Golden Prize, 1989 Exhibition of Chinese Contemporary Gongbi Paintings, Nagai Gallery,Tokyo. - The Seventh National Art Exhibition, China National Gallery, Beijing. 1991 Second Exhibition of Contemporary Gongbi Style, China National Gallery. Beijing, awarded Outstanding Prize. 1992 Exhibition of Taditional Chinese Paintings by Qutstanding Painters, City Hall of Hong Kong. 1993 Fin-de-Siecle Chinese Figure Painting Exhibition, China National Gallery, Beijing. 1994 The Eighth National Art Exhibition, China National Gallery, Beijing. 1995 Women’s Approch to Chinese Contemporary Art, Capital Museum, Beijing. - Exhibition of Works by Chinese Women Artists,China National Gallery. Exhibition of Works by Chinese Women Artists, Head Office of the World Bank,New York,U.S.A.
- Exhibition of Chinese Ability-Qriented painters,Rongbaozhai Gallery,San Francisco, U.S.A. - Exhibition of Works by Asian Women Artists, City Hall of Hong Kong. 1996 Reality, Today and Tomorrow: China Mordern Art Exhibition, Gallery of International Art Salon, Beijing. 1997 From the Interior,Female Perspectives on Figuration ‘East meets West’, Kingston University, London, U.K. - Beetween Ego and Society: Exhibition of Contemporary Women Artists of China, Artemisia Gallery, Chicago, U.S.A. 1998 Century Women,China National Gallery. - Half of the Sky, Women Artists of China, Women Museum, Bonn. 2001 Overtones, Contemporary Chinese Art, Mosman Art Gallery, Sydney. - Exhibition of Contemporary Chinese Paitings and Sculptures, Pierre Cardin Art Museum, Paris Chinese Paitings in 100 years, National Gallery, Beijing. 2002 Female Vision, Exhibition of Chinese Female Arrists, Western Australia Museum, Peth. 2003 Prayer Beads and Brush Strokes, Beijing Tokyo Art Projects. - Metaphysics 2003,Shanghai Art.Museum. 2004 The Tenth National Art Exhibition, China National Gallery. 2005 China Oil Painting Retrospective Exhibition, China National Gallery.

Awards

1990 Outstanding Artist Prize, Moving Colours Exhibition, American
Southwest University International Committee.
1991 Outstanding Prize, Second Exhibition of Contemporary Gongbi Style,
China National Gallery, Beijing.
1991 Special Prize of a colourful costume, the 1st National Ethnic Culture
Chinese Paintings Contest.
1994 Silver Award for painting “Wish”, the 1st China Minorities Art
Exhibition.
2001 Academic Prize for “Highland Barley Wine & Ghee Lamp”, China
Strong Coloring Painting Contest.

Associations

Member of the China Fine Artist’s Association, China Meticulous
Painting Association, Beijing Meticulous Association and the Beijing
Women Artist’s Association.
_ Page 3 March 16, 2009
Works collected by:
    - China Art Gallery; Traditional Chinese Painting Research Institute
    - Xi’an Academy of Fine Arts
    - Beijing International Art Palace Gallery
    - Art Research Institute of China
    - Tianjin TEDA Contemporary Art Museum
    - Shanghai Art Museum
    - Shenzhen Art Museum and Liu Haisu Art Museum.
Made-it-up Ribbon Series created by Pan Ying
By Li Xianting Using the saying, “Cut them, but they don’t break, tidy them up, but they are still a mess” to talk about Pan Ying’s “Made-it-up Series.” The saying, “Cut them, but they don’t break, tidy them up, but they are still a mess” was coined by Li Yu, the prominent writer of odes from ancient China, to express a chain of thought seen as a pile of coarse hemp rope which is both impossible to break and at the same time impossible to put in order. Pan Ying’s paper ribbons do not appear as a pile of hemp rope, they can be seen, however, as her symbol of a type of chain of thought. Only what we see in the symbol of the paper ribbons is the feeling of a tidy tangle, a chaos with order. So Pan Ying’s thought pattern can be roughly described as the following: although it can be broken by cutting, it can, however, be tidied up. Pan has this type of personality that is good at using reason to control her moods. She said that she enjoyed twining balls of wool and undoing knots in ribbons. This type of activity from her own life is both an expression of her personality and also the matrix of her works of art. Through the process of twining wool and unraveling the ribbons she experiences life and expresses this type of feeling through her paintings of tangled paper. The process of her paintings is tangling and untangling paper and at the same time is both the process of understanding the origin and development of the tangled paper. Pan Ying’s father is a famous oil painter, Pan Shixun, her mother is the traditional ink painter, Jiang Caiping. Her family background has been important to her development and she has been exposed to both western and Chinese traditional painting. Furthermore, Pan Ying herself majored in Chinese traditional ink painting at university and as a result is proficient in the skills of this traditional art which she uses in her modern style works. At the same time the language pattern of the symbols in her paper can also be interpreted as the modern transformation of what has always been emphasized in Chinese art: impression and imagery.

Text in Deutsch
Pan Ying
wurde 5. August 1962 in Beijing geboren. Ihre Eltern sind sehr bekannte Künstler in China und so lag es nahe, dass auch Pan Ying diesen Lebensweg professionell einschlug. Pan Yings Vater ist der berühmte Maler Pan Shixun, der sich auf Ölmalerei spezialisierte und ihre Mutter Jiang Caiping, die sich auf chinesische traditionelle  Malerei unter Verwendung von Tinte und Wasserfarben spezialisierte. Pan Ying kamm dadurch früh sowohl mit westlicher und traditioneller chinesischer Malerei in Kontakt und wandte sich verstärkt den traditionellen chinesischen Maltechniken zu, um sie in modernen, zeitgenössischen Themen einzusetzen. Berühmt ist Pan Ying für ihre „verwobenen Bänder“, die eine feine und faszinierende Ausdruckskraft ausstrahlen.
1983 schloss Pan Ying ihr Studium an der Chinese painting specialty of Art Institute of P.L.A. ab. Seit 1987 unterrichtet Sie an der Central University for Nationalities im Fine Art Department.

Einzelausstellungen

1987 Central Academy of Fine Arts Gallery, Peking
1988 Die Ausstellungshalle der mexikanischen Botschaft, Peking
1996 Hans Gallery, Peking
1997 Chinese Contemporary, London
1998 Chinese Contemporary, London
2001 Qingluo Gallery, Tokyo
2002 Central University of Nationalities Gallery, Peking

Gruppenausstellungen

1985 80s Painting Exhibition, National Gallery, Peking, hervorragender Preis ausgezeichnet. 1986 Erste Ausstellung der ethnischen Minderheiten Bruderschaft, Kulturpalast, Peking, Qutstanding-Preis ausgezeichnet. 1987 Erste Ausstellung zeitgenössischer Gongbi Style, verliehen China National Gallery, Peking, Golden-Preis. 1989 Ausstellung zeitgenössischer chinesischer Malerei Gongbi, Nagai Gallery, Tokyo. - Das Siebte National Art Exhibition, China National Gallery, Peking. - 1991 Zweite Ausstellung zeitgenössischer Gongbi Style, China National Gallery, Peking, hervorragender Preis ausgezeichnet. 1992 Ausstellung der Gemälde von Taditional Chinesisch Qutstanding Maler, City Hall von Hong Kong. 1993 Fin-de-Siecle Chinesisch Abbildung Painting Exhibition, China National Gallery, Peking. 1994 The Eighth National Art Exhibition, China National Gallery, Peking. 1995 Women's Approch zu Chinese Contemporary Art, Capital Museum, Peking. - Ausstellung mit Werken des chinesischen Women Artists, China National Gallery. - Ausstellung mit Werken des chinesischen Women Artists, Head Office of the World Bank, New York, USA. - Ausstellung chinesischer Ability-Qriented Maler, Rongbaozhai Gallery, San Francisco, USA. - Ausstellung mit Werken von Asian Women Artists, City Hall von Hong Kong. 1996 Reality, heute und morgen: China Mordern Kunstausstellung, Galerie der International Art Salon, Peking. 1997 aus dem Inneren, Female Perspectives on Figuration "East meets West", Kingston University, London, UK. - Beetween Ego and Society: Exhibition of Contemporary Women Artists of China, Artemisia Gallery, Chicago, USA. 1998 Century Women, China National Gallery. - Half of the Sky, Women Artists of China, Frauen Museum, Bonn. 2001 Obertöne, Chinesische Gegenwartskunst, Mosman Art Gallery, Sydney
Ausstellung zeitgenössischer chinesischer Paitings und Skulpturen, Pierre Cardin Art Museum, Paris Chinesisch Paitings in 100 Jahren, National Gallery, Peking. 2002 Männlich Vision, Ausstellung chinesischer Frauen Arrists, Western Australia Museum, Peth. 2003 Prayer Beads and Brush Strokes, Beijing Tokyo Art Projects Metaphysik 2003, Shanghai Art.Museum. 2004 The Tenth National Art Exhibition, China National Gallery. 2005 China Oil Painting Retrospective Exhibition, China National Gallery.

Awards

Herausragende Künstler-Preis 1990, Moving Colours Ausstellung, US-amerikanischer Südwest-Universität Internationale Komitee.
1991 Outstanding Preis, Zweite Ausstellung zeitgenössischer Gongbi Style, China National Gallery, Peking.
1991 Sonderpreis von einem bunten Kostümen, die 1. Nationale Ethnic Kultur Chinese Paintings Contest.
1994 Silver Award für die Malerei "Wish", der 1. China Minderheiten Kunst Ausstellung.
2001 Wissenschaftspreis für "Highland Barley Wine & Ghee Lampe", China Starke Coloring Malwettbewerb.


“Two Sisters-3” 76 x 76 cm, Aquarell auf Papier

“Two Sisters-2” 76 x 76 cm, Tusche auf Papier

“Paperwaves-2” 44 x 68 cm, Tusche auf Papier


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